After master copies of a field-recorded song were sent to the record company’s factory, metal copies were created and then “stamped” onto shellac discs for commercial release. Occasionally, in addition to the mass production of the record, companies stamped just one copy for internal use by their staff, and these single stampings were known as test pressings. These pressings of a commercial 78-rpm are rare items because, in many cases, they are the only extant copy or the clearest copy. The Library’s acquisition also contains Driggs’ correspondence with Don Law, who recorded Johnson for Columbia and was able to give a first-person account of these recording sessions.
Buy it here: In memory of December 21 1992 Albert King signatures thank you for the memories shirt
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