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  Christopher will assume the post immediately, following 18 months as the chief of the office’s Information and Records Division, where he managed the public information office, publications and document recordation, and commenced several of the register’s ongoing special projects, including the digitization of millions of historic copyright records and overhaul of the processes for publicly recording and searching copyright titles, assignments and licenses. Since joining the Copyright Office in 2006, Christopher has been involved in almost all of the office’s business functions, including registration processes, union negotiations, budgeting, external communications, federal contracts, strategic planning and ongoing reengineering efforts.

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 Sam Lucas—actor, musician, singer and songwriter—had become famous in the 19th century for his performances in vaudeville and minstrel shows produced by Charles Frohman. In 1878, Frohman achieved a breakthrough in American theatrical history when he staged a production of “Uncle Tom’s Cabin,” featuring Lucas in the lead role. Thirty-six years later, Lucas was lured out of retirement by the World Producing Corp. to recreate his historic role on film and, in the process, set an important milestone in American movie history. The Wishing Ring; An Idyll of Old England (1914) Director Maurice Tourneur, called by film historian Kevin Brownlow “one of the men who introduced visual beauty to the American screen,” arrived in America in 1914.

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 “The rage it projects is real.” Ivan Dixon, the film’s director known for his roles in “Hogan’s Heroes” and as the lead in “Nothing But a Man” (1964), believed that the film did not offer “a real solution” to racial injustice, but projected instead “a fantasy that everybody felt, every black male particularly.” They Call It Pro Football (1966) Before “They Call It Pro Football” premiered, football films were little more than highlight reels set to the oom-pah of a marching band. In 1964, National Football League commissioner Pete Rozelle agreed to the formation of NFL Films. With a background in public relations, he recognized that the success of the league depended on its image on television, which required creating a mystique. “They Call It Pro Football,”

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 While the entire family is affected by the visit, none are changed so much as daughter Babs (played by a young Marjorie Lord), who eventually sours on her foreign-born, anti-capitalistic boyfriend in favor of a hometown electrical engineer who works at the fair. Both charming and heavy-handed, “The Middleton Family” provides latter-day audiences with a vibrant documentary record of the fair’s technological achievements and the heartland values of the age. She and her family were sent to concentration and slave labor camps. She alone survived. Mixing footage shot in contemporary Europe at key locations of Klein’s story with interviews and personal photographs, “One Survivor Remembers” explores the effects that her experience had on the rest of her life.

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 Making powerful use of Chinese folklore and family history, it examines several women and the tension between their adherence to cultural expectations and the expression of their individualism. Alex Haley, “Roots” (1976). This tale of an African named Kunta Kinte, kidnapped into slavery and brought to America – and the story of his descendants – spent 46 weeks on the New York Times bestseller list and was made into a popular television series. Milton and Rose Friedman, “Free to Choose: A Personal Statement” (1980). Economists Milton and Rose Friedman published this book in conjunction with their PBS series that espoused the virtues of capitalism versus other economic approaches.

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 Reservations will be held until 10 minutes before showtime. In case of inclement weather, call the theater reservation line no more than three hours before showtime to confirm cancellations. The Library of Congress Packard Campus for Audio Visual Conservation is a state-of-the-art facility funded as a gift to the nation by the Packard Humanities Institute. The Packard Campus is the site where the nation’s library acquires, preserves and provides access to the world’s largest and most comprehensive collection of motion pictures, television programs, radio broadcasts and sound recordings. 

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 The Academy Award-winning documentary “The Times of Harvey Milk,” selected to the National Film Registry in 2012, has been rescheduled to Feb. 2 after it was cancelled in January due to inclement weather. Screenings are preceded by an informative slide presentation about the film, with music selected by the Library’s Recorded Sound Section. Short subjects will be presented before select programs. Titles are subject to change without notice. All Packard Campus programs are free and open to the public, but children 12 and under must be accompanied by an adult. For reservation information, call (540) 827-1079 ext. 79994 or (202) 707-9994 during business hours, beginning one week before any given screening. 

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