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  In 1981, Christian Science Monitor critic Thor Eckert Jr. wrote a critique of the recording history of Puccini’s “Tosca” and said, “In 1953 Maria Callas, Giuseppe di Stefano, Tito Gobbi, and maestro Victor de Sabata along with the forces of La Scala Opera gathered to make recording history — the finest ‘Tosca’ of all time, and one of the greatest recordings of an opera on records.” To date, no other “Tosca” has equaled this performance. Produced by Walter Legge, the recording captured one of Callas’ greatest triumphs. The New Grove Dictionary of Music and Musicians would later state, “Among her contemporaries she had the deepest comprehension of the Classical Italian style, the most musical instincts and the most intelligent approach,” while Leonard Bernstein would call her “the Bible of opera.”

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